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Betty CampbellMinymaku Inma (Women's Song), 2026Synthetic polymer on linen150 x 150 cm$ 8,000.00 -
Betty CampbellMinymaku Inma (Women's Song), 2026Synthetic polymer on linen198 x 183 cm$ 13,000.00 -
Betty CampbellMinymaku Inma (Women's Song), 2025Synthetic polymer on linen198 x 198 cm$ 13,500.00 -
Betty CampbellMinymaku Inma (Women's Song), 2025Synthetic polymer on linen150 x 150 cm$ 8,000.00 -
Betty CampbellMinymaku Inma (Women's Song), 2023Synthetic polymer on linen198 x 189 cm$ 13,500.00
Betty Campbell is a Pitjantjatjara artist and senior cultural leader from Mimili on the Anangu
Pitjantjatjara Yankunytjatjara (APY) Lands in north-west South Australia. Born at Everard
Park Station, she grew up within a strong cultural and familial environment shaped by
station life and ceremonial practice. Campbell is a respected Elder in her community and is
widely recognised for her leadership in inma (ceremony), where she sings, dances, and
transmits women’s ancestral knowledge across generations.
Campbell’s painting practice emerges directly from this ceremonial authority. Her works
depict women’s stories that are danced and painted but not spoken, drawing on embodied
knowledge held through song, movement, and repetition. Although she began painting later
in life, her approach is assured and intuitive, marked by expressive mark-making and
rhythmic compositions that reflect the performative and cyclical nature of inma. Her
paintings translate lived ceremonial experience into visual form, asserting women’s cultural
presence through abstraction and gesture.
In recent years, Campbell’s work has gained increasing recognition through exhibitions in
Australia and internationally. She has been selected as a finalist in major Australian art
prizes, including the Wynne Prize at the Art Gallery of New South Wales and the Telstra
National Aboriginal and Torres Strait Islander Art Awards at the Museum and Art Gallery of
the Northern Territory. Her work has been presented in exhibitions in Belgium and across
Australia, reflecting growing institutional and curatorial interest.
Her works are held in public and private collections, including the Art Gallery of South
Australia (Adelaide), Fondation Opale (Crans Montana, Switzerland), and the Kaplan–Levi
Collection (Seattle, US).
Selected Solo Exhibitions
2024 Minymaku Inma (Women’s Dance), Outstation Gallery, Darwin
Selected Group Exhibitions
2026 Mimili Maku, 8 Hele Gallery, Alice Springs
2026 Ngura Pulka, National Gallery of Australia, Canberra
2025 Tarnanthi, Art Gallery of South Australia, Adelaide
2025 unturu-unturu (blossom), Outstation Gallery, Darwin
2025 Pakani – coming up, Aboriginal Signature Gallery Brussels, Belgium
2025 Rising Stars, Outstation Gallery, Darwin
2024 Inma, Aboriginal Signature Estrangin Gallery Brussels, Belgium
2024 Women’s Story, Short St Gallery, Broome
2024 Betty Campbell at Melbourne Art Fair, blackartprojects, Melbourne
2023 Desertmob, Araluen Arts Centre, Alice Springs
2023 Unfolding, Short St Gallery, Broome
2023 Tjungu, APY Gallery, Sydney
2023 itjanu – flourishing, Aboriginal Signature Estrangin Gallery Brussels, Belgium
2023 Rising Stars, Outstation Gallery, Darwin
Selected Prizes & Awards
2026 Finalist, Hadley Prize, Hadley’s Orient Hotel, Hobart
2026 Finalist, Wynne Prize, Art Gallery of New South Sales, Sydney
2024 Finalist, National Aboriginal and Torres Strait Islander Art Awards, MAGNT, Darwin
2024 Finalist, Ravenswood Australian Women’s Art Prize, Ravenswood School
2024 Finalist, Bayside Painting Prize, Bayside Gallery
2023 Finalist, Arthur Guy Memorial Painting Prize, Bendigo Art Gallery
2023 Finalist, Fisher’s Ghost Award, Campbelltown Arts Centre
2023 Finalist, Mosman Art Prize, Mosman Art Gallery
2023 Finalist, Wynne Prize, Art Gallery of New South Wales, Sydney
2023 Finalist, National Aboriginal and Torres Strait Islander Art Awards, MAGNT, Darwin
Collections
Art Gallery of South Australia, Fondation Opale, Kaplan Levi Collection, Macquarie Bank
Art Collection
